I stare out at bare window pane above and netted screen below. Drops of rain move across, smooth, quick, lithe on the glass and awkward, meandering, stilted across the finely textured squares of mesh. Windows as release, as way out and through, but my depth of field is shallow, my view shortsighted. In fall, the… Read more »
The world appears different through glass. A window frames a view. A lens refracts and focuses light. Our eyes, too, have light-bending lenses, shape-shifters that widen to focus close objects into images on our retinas and narrow for distant views. And so vision is embodied; it’s in our bodies. Our eyes and brains recognize the… Read more »
Others Who Were Here, Cris Bruch’s sparely installed exhibition that just came down at the Frye Art Museum in Seattle, used looking and language to summon the expansiveness of eastern Colorado, where Bruch’s family worked as farmers in the early twentieth century. Titles and wall text worked in tandem with Bruch’s sculptures and installations to… Read more »
At the Seahawks-Vikings football game several weeks ago, players exhaled clouds of heat and moisture as they lined up for the snap. Their breaths swelled from their mouths, spread away, and then disappeared into the frigid Minnesota air. Welcome to Jupiter, sportscaster Al Michaels quipped. A galaxy away, at the Henry Art Gallery, artist Demetrius… Read more »
One evening, as he is losing the king’s faith and his own power, Cardinal Wolsey counsels his protégé Thomas Cromwell on their present impasse. King Henry VIII will dissolve his first marriage and take Anne Boleyn as his new bride. Wolsey and Cromwell are to find the means to the king’s end. Confounded, Cromwell questions… Read more »
During the week, I look often from my office to the flickering work lights of a half-finished building south of Lake Union, where Seattle’s skyline is acquiring a new shape and solidity. The lights are distributed regularly throughout the building’s boxy frame, and they radiate in morning fog, pulsate in the fair skies of midday, and shine like beacons… Read more »
In November, Bank of America launched a virtual exhibition, sometimes accessible from the homepage of its website, called Bearing Witness: Documentary Photography of the 1930s. Composed of works from the Bank of America Collection, the show highlights American photography made during the Great Depression. The images present both rural and urban scenes. Figures, many of… Read more »
Paris, in April, was teeming with people: spring break tourists queuing up to see the famous sights and the politically passionate, or perhaps just paid, papering its telephone poles with images of and messages from politicians who would meet their fates in the elections just after we left. The elegant Museé de la Chasse et… Read more »
Today, February 10th, is National Umbrella Day. I mark the occasion and celebrate the accessory, as my blog title is its namesake. As I began to map out my art and architecture adventures and essays in August, I hunted about for a moniker. My partner suggested Yellow Umbrella, and I appreciatively snatched the name up. I… Read more »
Mid-century modern design continues to be both critically acclaimed and commercially coveted, and Charles and Ray Eames remain its brightest American luminaries. Their furniture pieces for the Herman Miller Company, including their lounge chair and ottoman set and their molded plastic rocker, are still available for sale at the chi-chi furniture store Design Within Reach, and images… Read more »