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# Yellow Umbrella

## Sitemaps

- [XML Sitemap](https://elissafavero.com/sitemap.xml): Contains all public & indexable URLs for this website.

## Posts

- [Yellow Umbrella Blog](https://elissafavero.com/blog/)
- [Rain and Crow](https://elissafavero.com/2017/03/rain-and-crow/) - I stare out at bare window pane above and netted screen below. Drops of rain move across, smooth, quick, lithe on the glass and awkward, meandering, stilted across the finely textured squares of mesh. Windows as release, as way out and through, but my depth of field is shallow, my view shortsighted. In fall, the
- [The Queen is dead. Long live the Queen.](https://elissafavero.com/2015/06/the-queen-is-dead-long-live-the-queen/) - One evening, as he is losing the king’s faith and his own power, Cardinal Wolsey counsels his protégé Thomas Cromwell on their present impasse. King Henry VIII will dissolve his first marriage and take Anne Boleyn as his new bride. Wolsey and Cromwell are to find the means to the king’s end. Confounded, Cromwell questions
- [In My Eyes, Indisposed: Victoria Haven at the Olympic Sculpture Park](https://elissafavero.com/2016/05/in-my-eyes-indisposed-victoria-haven-at-the-olympic-sculpture-park/) - The world appears different through glass. A window frames a view. A lens refracts and focuses light. Our eyes, too, have light-bending lenses, shape-shifters that widen to focus close objects into images on our retinas and narrow for distant views. And so vision is embodied; it’s in our bodies. Our eyes and brains recognize the
- [Skies and Stories: Cris Bruch's Expansive Exhibition at the Frye Art Museum](https://elissafavero.com/2016/04/skies-and-stories-cris-bruchs-expansive-exhibition-at-the-frye-art-museum/) - Others Who Were Here, Cris Bruch’s sparely installed exhibition that just came down at the Frye Art Museum in Seattle, used looking and language to summon the expansiveness of eastern Colorado, where Bruch’s family worked as farmers in the early twentieth century. Titles and wall text worked in tandem with Bruch’s sculptures and installations to
- [Black Bodies and Demetrius Oliver’s Eclipse](https://elissafavero.com/2016/02/black-bodies-and-demetrius-olivers-eclipse/) - At the Seahawks-Vikings football game several weeks ago, players exhaled clouds of heat and moisture as they lined up for the snap. Their breaths swelled from their mouths, spread away, and then disappeared into the frigid Minnesota air. Welcome to Jupiter, sportscaster Al Michaels quipped. A galaxy away, at the Henry Art Gallery, artist Demetrius
- [Menagerie, Meal, Museum: Animals in Paris](https://elissafavero.com/2012/06/menagerie-meal-museum-animals-in-paris/) - Paris, in April, was teeming with people: spring break tourists queuing up to see the famous sights and the politically passionate, or perhaps just paid, papering its telephone poles with images of and messages from politicians who would meet their fates in the elections just after we left. The elegant Museé de la Chasse et
- [Rushing, Still, Rushing: Animals in Time](https://elissafavero.com/2014/10/rushing-still-rushing-animals-in-time/) - Red Lodge, Montana, my father’s hometown, was a booming, raucous place in the late nineteenth and early twentieth centuries. Following the discovery of coal in upper Rock Creek Valley in 1866, Finnish, Scottish, Welsh, and Italian immigrants – my great-grandfather and his family included – converged there, sustained by the mines that brought workers out
- [Models and Ruins: Rodrigo Valenzuela at the Frye Art Museum](https://elissafavero.com/2015/04/models-and-ruins-rodrigo-valenzuela-at-the-frye-art-museum/) - During the week, I look often from my office to the flickering work lights of a half-finished building south of Lake Union, where Seattle's skyline is acquiring a new shape and solidity. The lights are distributed regularly throughout the building's boxy frame, and they radiate in morning fog, pulsate in the fair skies of midday, and shine like beacons
- [Alyson Piskorowski Ensnares Wind and Light](https://elissafavero.com/2014/10/alyson-piskorowski-ensnares-wind-and-light/) - Fall, in Seattle, is a time of spiders. Giant house spider males, close relatives to the Tegenaria duellica David Sedaris writes about feeling such easy if fraught kinship with in his essay April & Paris: Caught in the Web of Nature, search for females in our basement, darting away at our step. Outside, the garden
- [Language and Loss: Reading in the common S E N S E](https://elissafavero.com/2015/01/language-and-loss-reading-in-the-common-s-e-n-s-e/) - “Beauty is vapour from the pit of death.” (The Peregrine, p. 180) For the last several months, I’ve been coming to the Henry Art Gallery most Wednesdays to read from a book about a hawk season in the fenlands of eastern England. To describe J.A. Baker’s The Peregrine as only that, though, would be to diminish it. Baker’s
- [Attack the Block. Allow It.](https://elissafavero.com/2012/01/attack-the-block-allow-it/) - Films from 2011 were honored last week at the Hollywood Foreign Press Association's Golden Globes ceremony. This morning, the American Academy of Motion Picture Arts and Sciences announced its nominations for the 84th annual Academy Awards. In a nod to this season of cinema celebration, I consider, here, a gem of a film whose name you
- [Under the Umbrella](https://elissafavero.com/2012/02/under-the-umbrella/) - Today, February 10th, is National Umbrella Day. I mark the occasion and celebrate the accessory, as my blog title is its namesake. As I began to map out my art and architecture adventures and essays in August, I hunted about for a moniker. My partner suggested Yellow Umbrella, and I appreciatively snatched the name up. I
- [Seeing the Trees for the Forest](https://elissafavero.com/2012/03/seeing-the-trees-for-the-forest/) - When we talk about someone being unable to see the forest for the trees, the characterization is disparaging. We represent this hapless person as overcome by a mass of detail and lacking the means to perceive the organizing pattern that binds constituent parts. But I like to get a little lost now and again in
- [Stepping Out in Georgetown](https://elissafavero.com/2012/03/stepping-out-in-georgetown/) - Last weekend, cultural historian, art lover, and food enthusiast Nell and I explored Georgetown with a group of about fifteen. Our walking tour was offered by Nell’s company, Localist, which creates customized itineraries for visitors coming to Seattle, and cosponsored by Friend of Georgetown History. We started with some background about the south Seattle neighborhood’s early
- [Lights, Camera, Stop Action](https://elissafavero.com/2011/11/lights-camera-stop-action/) - In the late winter of 1928, the Seattle Theatre, now the Paramount, opened its doors for the first time. As recounted on its website, it showcased an impressive lobby outfitted with “French baroque plaster moldings, gold-leaf encrusted wall medallions, rich paint colors, beaded chandeliers, and lacy ironwork.” It was, and now is again since its 1990s
- [At Home with the Eameses](https://elissafavero.com/2012/01/at-home-with-the-eameses/) - Mid-century modern design continues to be both critically acclaimed and commercially coveted, and Charles and Ray Eames remain its brightest American luminaries. Their furniture pieces for the Herman Miller Company, including their lounge chair and ottoman set and their molded plastic rocker, are still available for sale at the chi-chi furniture store Design Within Reach, and images
- [Winter to Spring and Pollen and Paint](https://elissafavero.com/2012/03/winter-to-spring-and-pollen-and-paint/) - Whatever the weather, spring officially begins today, March 20th. Heeding the impending day, I hastened to finish Adam Gopnik's most recent book, Winter: Five Windows on the Season, before the vernal equinox heralded the new season and winter melted away. In the last months, Gopnik has been a constant companion. I was charmed by his 2001
- [Edward and the Riotous Rosebushes](https://elissafavero.com/2012/10/edward-and-the-riotous-rosebushes/) - Just a few blocks from the nearby summer dahlia stand I frequent is a modest house with thin red and grey bricks, taupe siding, and a recessed front door. It would be unremarkable except for its extraordinary front garden. Its owners have surrendered conventional green grass to an insurrection of rosebushes. They grow without rhyme or
- [I Bear Witness: Bank of America and the Arts](https://elissafavero.com/2012/12/i-bear-witness-bank-of-america-and-the-arts/) - In November, Bank of America launched a virtual exhibition, sometimes accessible from the homepage of its website, called Bearing Witness: Documentary Photography of the 1930s. Composed of works from the Bank of America Collection, the show highlights American photography made during the Great Depression. The images present both rural and urban scenes. Figures, many of
- [The Birds of Seattle](https://elissafavero.com/2013/12/the-birds-of-seattle/) - Crows are numerous and newsworthy in Seattle. Widely published research from University of Washington wildlife biologist John Marzluff demonstrates the social birds remembering human faces and teaching other crows to recognize these people. Dr. Marzluff's work builds on studies that show crows as capable of manipulating tools. Seattle artist Buster Simpson has found in the
- [On American Football, Manifest Destiny, and Matthew Barney](https://elissafavero.com/2014/01/on-american-football-manifest-destiny-and-matthew-barney/) - “America’s identity lies in its open spaces, the space of possibility, but also of speed, movement, and unobstructed will.” – Rebecca Solnit, “The Desert: Scapeland,” As Eve Said to the Serpent: On Landscape, Gender, and Art, page 87 I grew up mostly ignorant of football. My Dad would listen to it on the radio occasionally,
- [Looking Back at the Daffodil](https://elissafavero.com/2014/04/looking-back-at-the-daffodil/) - We’re coming to the end of daffodil season in Seattle. Everywhere I go, the flowers have been announcing spring, trumpeting forth the news with their proud center coronas and blaze of yellow. It took me a long time to see something more than the daffodil’s bold color and message of seasonal change. These perennial flowers
- [In Frank Lloyd Wright's Corner](https://elissafavero.com/2012/02/in-frank-lloyd-wrights-corner/) - It was a wild and windy morning when my partner and I arrived at the Tracy House in Normandy Park, Washington, a few weeks ago. In the previous days, Seattle had been buried under inches of snow, and we had been housebound, venturing out only for sledding and short walks. Making our way south of the
- [Tàpies and Sierra: Spanish bodies in Iceland](https://elissafavero.com/2012/05/tapies-and-sierra-spanish-bodies-in-iceland/) - Last month at the Reykjavik Art Museum in Iceland, I saw exhibitions devoted to the careers of two Spanish artists: Antoni Tàpies and Santiago Sierra. Divided by two generations and chosen mediums and subjects, Tàpies and Sierra nonetheless share a basic preoccupation with human bodies. Before he passed away earlier this year, Tàpies built up layers
- [Short and Sweet: A Book Review for Valentine's Day](https://elissafavero.com/2012/02/short-and-sweet-a-book-review-for-valentines-day/) - On this day of love, relationship advice from UCLA architectural historian and theorist Sylvia Lavin to architecture and contemporary art: “‘To be one with’ may make a nice romantic fantasy, but ‘to be two with’ makes more profound politics. And possibly more gratifying as well. When kissing and enmeshed, architecture is surprised into responding, made
- [The Geography of Love](https://elissafavero.com/2012/10/the-geography-of-love/) - A few weeks back, I heard a geographer speak as part of a panel about women and the urban environment. She said she's often asked about the nature of her discipline. In response, she said she talks about thinking about space as structuring human relationships. She talks about how the city has a geography, home has
- [Northwest Metaphors](https://elissafavero.com/2013/01/northwest-metaphors/) - At the Wright Exhibition Space in Seattle’s South Lake Union neighborhood, I recently stood in front of a large painting by Andy Warhol, Rorschach, from 1984. I had seen it before in the double-height gallery of the Seattle Art Museum, but in this sparely curated space, the piece took on a new resonance. Part of
- [Saint Francis and the Birds](https://elissafavero.com/2013/03/saint-francis-and-the-birds/) - Last week, a new pope was selected from among his cardinal colleagues. He is the first Jesuit to assume the position, the first pope from Latin America, and the first to choose Francis as his papal name. Saint Francis, namesake to former Cardinal Jorge Mario Bergoglio of Argentina, is something of an anomaly in the
- [Corporations, Public Space, and Conversation](https://elissafavero.com/2011/10/corporations-public-space-and-conversation/) - For these past weeks, as I traveled from Seattle to Omaha and then Baltimore, I've been mulling over a number of issues. They have coalesced for me on what I see as a common ground. Let me explain. Back in August, Republican presidential candidate Mitt Romney, provoked by a vocally assertive contingent over tax and entitlement programs
- [Nature and History in Counterpoint](https://elissafavero.com/2011/09/nature-and-history-in-counterpoint/) - Leaves crunch underfoot. (I seek them out and jump with delight upon them.) The cherry tomatoes are so sweet, and dahlias finally begin to bloom, but the warm sun belies autumn's coming. This week, I went to see the Seattle Art Museum's shows Beauty and Bounty: American Art in an Age of Exploration and Reclaimed: Nature
- [Framing Design](https://elissafavero.com/2011/09/framing-design/) - This past week marked the inauguration of the Seattle Design Festival. I attended a trio of talks, one part of the Festival, and two others at Town Hall that considered related topics. Some of the ideas mentioned were like old friends returning for a visit: Harvard biologist E.O. Wilson's biophilia hypothesis that posits that people
- [How Does Your Garden Grow?](https://elissafavero.com/2011/11/how-does-your-garden-grow/) - I’m recently returned from a weekend trip to Charleston, South Carolina. The heinous history of American slavery is plainest and rawest in the South, where whites fought longest to preserve it. And so I think of the region as something like Blanche DuBois in A Streetcar Named Desire: an aging beauty, beguiling and a little perverse, with an

## Pages

- [Home](https://elissafavero.com/)
- [About](https://elissafavero.com/about/) - I first fell under the sway of contemporary art as an assembly of Louise Bourgeois eye benches was installed outside my dorm room at Williams College, and the visual arts and landscape remain at the core of my practice as a writer, educator, and editor. After an internship at the National Park Service and a
- [Other Writing](https://elissafavero.com/other-writing/) - "Prairie Companions" Catalogue essay for painter Ann Quinn's exhibition The Human Presence, Taylor Galleries, Dublin, Ireland, August 2018 "For the Forests, for the Trees" The Timberline Review, March 2018 "Afterglow" River Teeth's Beautiful Things series, February 2018 "Stepping, In Time" Critical Read, November 2017 "Joan Tanner at Suyama Space" Temporary Art Review, March 2016 "Columns and Cynics: Ania
- [Recommended Reading](https://elissafavero.com/recommended-reading/) - BLDGBLOG The Center for Land Use Interpretation Newsletter, The Lay of the Land Essay Daily Hyperallergic: Sensitive to Art & its Discontents The Learned Pig Painters on Paintings Places Journal: Public scholarship on architecture, landscape, and urbanism Saipua blog
- [Contact](https://elissafavero.com/contact/) - Email: 05ecfster at gmail.com

## Categories

- [Exhibitions](https://elissafavero.com/category/exhibitions/)
- [Films](https://elissafavero.com/category/films/)
- [Books](https://elissafavero.com/category/books/)
- [Seattle](https://elissafavero.com/category/seattle/)
- [Elsewhere](https://elissafavero.com/category/elsewhere/)

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